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Blog EntryNov 30, '10 12:50 PM
for everyone

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

As a young person one sees time as a road leading ever forward to new horizons. Astrology, however, as a metaphor of life, reveals our horoscope to be a circle with a single theme.

Kundera puts it another way. (pg305 Immortality)

Let us imagine that the dial of Ruben’s life is placed on some great medieval clock, like the one in Old Town Square in Prague which I passed regularly for some twenty years. The clock strikes the hour and a little window above the dial opens: a marionette, a little girl of seven, comes out and asks Rubens what the time is. And then many years later, when that same slow hand comes round to the next number, a bell begins to sound , the window opens again, a marionette, this time a young woman emerges and asks him: ‘When you were young, did you think…’

And on Pg 346 he hears the clock strike again, sees the little window open and, thanks to the mysterious medieval mechanism, a woman in huge tennis shoes coming out. (he had just made love to her though it was a disappointment) Her appearance meant that his longing made a volte-face; he would no longer yearn for new women; he would only yearn for women he had already had; from now on, his longing would be an obsession with the past.

But how is one to be obsessed with the past when one sees it only as a desert over which the wind blows a few fragments of memories? Does that mean he would become obsessed with those few fragments? Yes one can be obsessed with fragments. He sits like Rodin’s Thinker remembering…..

 


seedrum wrote on Dec 1, '10
Even as I read this, for me something is..askew.

and what occurred to me is the biological factor that...leaves me... new...over and over

like all the cells in the body create and die, every 7 years. not sure if that is proven fact, but...feels as if... a hint of truth...for me

so now think... 60-7--80 and we begin to shed the body, without the concern of cell renewal.

And makes me smile... energy I see myself as... if assorted forms... and so it goes... I will consider this blog and content and see if I can become... more literary and historical as the greater thinkers are and have laid out a path for me.... to consider and... near.

enjoyed this blog. Immortality. Not exactly my understanding.... I see it as...THE AS IS. And for now, I have a telling voice. Consciousness to some degree. Reporting my time here, kind of. Immortality without a telling voice,..... I do not comprehend, until I do.

nice blog John. I come here. It pleases me.
Comment deleted at the request of the author.
johnthebarman wrote on Dec 1, '10, edited on Dec 2, '10
β’s life (in my unwritten novel-the one we all have in us) was propelled by ‘Das Ewigweibliche’- The Eternal Feminine and filled with ever more inspiring muses. But β, as an educated man of our time will probably wrongly imagine his life as a developing character in a story. Now days its not a linear story. The Turkish writer Elif Shafak talked about modern novels that evaporate.

What is the real story?
The astrologer is real, rather reclusive and lives nearby. Today was the first time I’d seen her for several years but Kundera’s tiny star unbelievably said astrology is a metaphor for life’s story. All was in place to ask her to read my horoscope but her plane left on time and knowledge of my fate was delayed.

The Clock in Prague is also a real fragment of my life.

And Now, like an archaeologist I am piecing together the shattered fragments of Rodin’s immortality. For me it began forty years ago. I had borrowed a large book of Rodin photographs and was walking home from the Edinburgh public library holding it under my arm when a beautiful girl from nothern Europe stopped me and asked if I liked Rodin.

I said, ‘Yes’. We both said, ‘Yes’...

johnthebarman wrote on Dec 1, '10
seedrum wrote on Dec 2, '10
So this is enlightening for me. What is here, is Rodin and you and the novel, within each of us.

And Rodin I can possibly grasp, and will wait and watch and see the fragments and the telling and the facts, roll into me and make apparent, that which is meant for me.

I am intrigued by all of this. Intrigued by you.

and more. When both say yes, it leaves me in great anticipation of what comes next. And yes, time is but... a heart beat factor. Frozen in time and all of this, immortality... which is how I am... reading this... as what appears.

and trust me, don't care where the fragments come from or in what order, lets me identify with Rodin and allows me to think and think some more...

enjoying this. And now a hint and such: is this passages of a book you have written or are writing. I am intrigued. Indeed.

johnthebarman wrote on Dec 4, '10
......and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the
posadas 2 glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we
missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson
sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink
and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower
of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the
Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to
say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his
heart was going like mad and yes I said yes I will Yes.

the end of 'Ulysses' by James Joyce.

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